Jun 18, 2013


EXERCISES IN FICTION
 
CROSSING PERFORMATIVE AND NARRATIVE PRACTICES
IN PROCESSES OF ARTISTIC RESEARCH





COMPOSITION WORKSHOP
Vera Sofia Mota & Maru Mushtrieva

28/29/30 June 2013 - Altes Finanzamt, Berlin


Departuring from the concept of “factofiction”, a concept we have been developing for some time together, the aim of this workshop is to collectively problematize and propose some experiments around possible connections and interferences in fictional, narrative and performative practices.
What we call “factofiction” is our way to relate to the notion of the fictional potentiality of almost any kind of narration. The factual field of events transforms itself into a database and its creative usage allows us the storytelling.
The constructed nature of any, even autobiographical, storytelling lays in the teleological attempt to explain our lives and to relate ourselves accordingly to the outside world. Leaning on this assumption and working within the frames of both literary and performative theory, we will try to figure out in our workshop how we can use its creatively.
The workshop will be divided into three interindependent blocks.
In the first block we will concentrate on the construction of individual and collective portraits, considering biographical aspects as triggers and elements for the construction and circulation of stories in a performative set, questioning and working on its modes of re-presentation.
In the second block we will cross some bodily and speech practices to experiment and understand how, through the activation of some pre-architecturated systems and dealing with translation, description, comment, narration, choreography and movement generation processes we can work on the emergence, properties and permutation of some scripts.
The third block will deepen our investigation of fictional practices towards the role of the context in creative processes, by using external triggers and spatial environment, as well as working with textures of narration.


CONDUCTING
Vera Sofia Mota & Maru Mushtrieva


SCHEDULE
First Block: 28/6 – 14-20h
Second Block: 29/6 – 14-20h
Third Block: 30/6 – 14-20h

FEE
60€ or 20€ per Block


INFO
Language: English


INFO & REGISTRATION


DEADLINE FOR REGISTRATION
26/6


WHERE
Altes Finanzamt


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Vera Sofia Mota (Espinho/Portugal,1982) Studied Dance, Choreography, Philosophy, Performance. Develops her work as independent artist, researcher and pedagogue since 2008, collaborating with various artists in the fields of dance, performance, visual arts, music, science, literature. Her body of work includes the pieces We seek everywhere what is beyond things, but what we ever find are only things (2013/work in progress), collaboration with Maru Mushtrieva, Second Love (2012), collaboration with Kristoffer Strom, It's that a world all alive has the strength of a Hell (2010), collaboration with Isabel Simões & Pedro Faria, There is no love like the first (2009), There's always a chord I miss (2008), collaboration with Gustavo Sumpta, and The Passion of Our Love Jesus Christ According to Matthew the Evangelist (2008). Has been teaching some workshops around Composition and Improvisation Methodologies and Strategies in Performance. Has been collaborating in the activities of some independent spaces such as Atelier Concorde (Lisbon), RE.AL (Lisbon), CLOUD (Den Haag), Tatwerk (Berlin). She is a member of Altes Finanzamt since February 2013. Currently lives and works in Berlin.


Maru Mushtrieva (Ufa/Russia, 1985) is studying comparative literature at FU Berlin with the focus on spatial turn theories and traveling literature. Strong focus of her research she lays on the notion of fiction as an evolutionary practice and on the discrepancy between factual and fictional. Since 2011 she has been participating in various workshops in Tatwerk, Berlin, where she first started to develop projects on the border of physical theatre and performance. During the last MPA she presented Symphony N5 in the frames of Tatwerk collective performance A short in the dark, (2012). The attempt to cross the possibilities of text as medium is an inspiration for her work in performance field. Currently lives and works as a freelance journalist and translator in Berlin. Since March 2013 she works the topic of performative and narrative practices in the performative field in collaboration with Vera Sofia Mota.

Jun 12, 2013

Schmittkopf's machine

A stream of someone else's (un)consciousness


A stream of someone else's (un)consciousness

Achtundvierzig Stunden Neukölln, Echtzeitmaschinenraum

Altes Finanzamt will set up and run a transmedial real time machine simulating processes of an unknown brain. The artificial stream of (un)consciousness uses slide projection, live sound processing, a typewriter connected to an author, the voice of a performance artist and the hand of a visual minute taker creating neural scribblings, images, sounds and noise that unfold the poetic mechanics of someone else's memories. The outputs of the brain will serve as its inputs and will be processed by the machine resp. the artists connected to it. The Live-Machine is thus a gear unit that requires change of perspective both as a precondition and a steering mechanism.

With Mario Gomes, Dorothée Fraleux, Harras Bureau, Marta Leite Vera Sofia da Mota, Camila Rhodi and Massimiliano Sbenaglia.

In cooperation with TheNeukölln AcademyofNow and Filament Stanza.

The machine is running from 21.30 to 22.30 h.
Friday 14th and Saturday 15th of June.

Die Schmittkopfmaschine
Ströme eines unbekannten Gehirns

Vorgeführt wird eine transmediale Echtzeitmaschine im Projektraum des Alten Finanzamts . Ihre Funktion dient der Simulation unbewusster Hirnprozesse. Eine Diaprojektion übernimmt die Aufgabe des visuellen Cortex, eine Livesoundinstallation gibt die Vorgänge in der Hörrinde wieder, eine Schreibmaschine mit daran angeschlossenem Autor besetzt das Wernicke-Zentrum, eine Rezitatorin füllt das Broca-Zentrum aus, eine visuelle Protokollantin schließlich registriert die Zeichnungen des Unbewussten. Die Ausgabe des Gehirns ist zugleich ihre Eingabe, welche von der Maschine bzw. den an sie angeschlossenen Künstlern verarbeitet wird. Die Live-Maschine ist insofern ein Getriebe, das Multiperspektivität zur Voraussetzung hat und zur Steuerung benötigt.

Jun 11, 2013

Anmerkungen zur Schmittkopfmaschine

Die Schmittkopfmaschine registriert Signale. Signale von Realitäten, die in uns abgelegt werden wie Erinnerungen eines Fremden. Schmittkopf denkt das sehr dinglich, als Relikte, Ruinen des Anderen. Fenster in die Tiefe der übereinander liegenden Wirklichkeitsskripte, die in uns wirken und von denen auch materiell etwas überspringen kann.
Jochen Gomes

Die Schmittkopfmaschine. Freitag (14. Juni) und Samstag (15. Juni) im Alten Finanzamt von 21.30 bis 22.30 Uhr.


May 15, 2013

From 23th to 26th May


PIC_Pieces in Chain

                        


"PIC – Pieces in Chain" is an event around Performance Art, Documentation and Scores, curated and organized by Bassano Bonelli Bassano, Barbara Marcel, Camila Rhodi, Maicyra Leão and Vera Sofia Mota. During the 4 days event,  artists will present their works and also create dispositives involving the audience. On the final day, traces of these interactions with the audience will be presented, as well as new collaborative performance pieces.

The event is part of the Month of Performance Art - Berlin 2013.



23.05 (thursday)
From 19h
Pedro Costa
Karl Thorbergsson
Rodrigo Garcia Alves
Mc Xuparina


24.05 (friday)
From 19h
Camila Rhodi
Vera Mota & Maru Mushtrieva
D von Wilt
Mab Cardoso


25.05 (saturday)
From 16h
Moritz Geiser
Valentina Jäger
Maicyra Leão
Camila Bastos & Maria Fernanda Lopes
Karl Thorbergsson
Kirsty Kross

Everyday: Barbara Marcel
Yael Sherill

  
26.05 (sunday)
From 16h
E  V  E  R  Y  B  O  D  Y

May 13, 2013


Wednesday 15.5.2013


Filament Stanza:

Sound Poets in Berlin



Performances focusing on intermedia among word, voice and experimental music. With Tomomi Adachi, Ernesto Estrella, Jelle Meander, Cia Rinne
Solos & collaborations.



Doors open at 21:00
Readings start at 21:30 







Photo by Matthias Groebel


Mar 19, 2013

Friday 22.03.2013 Improv & Vision


This Friday, a great and pleasurable evening!.. with
sound performances by Nebeln & Steintiger

& drawing wall by Deli Gleba and Gil Delindro
+ vokü











doors open 20:30
performances start 21:30


Feb 12, 2013

Flea Market


Well, first edition of our Flea Market at Altes Finanzamt went great!! It was then the first edition of a monthly venue. More people than expected came and sellers were happy with the result. Brian Bustos was selling his crayon drawings on book pages and wall paper, Barbara Fonseca showed her illustrations with her friend Inez (Veils & Mirrors), and vintage clothes from Anabella Baptista da Cruz, more stuff by Moritz Drung and the Altes Finanzamt stand with rests of things done here and donations. I think we all had fun in a familiar cosy atmosphere. "The entity" was running on the wall in a loop and the soundtrack was the music made by Sébastien de la Blanche (Marie Dior) and Moritz´s Ipod. The Caldo Verde made by Lorenzo was a total success and my tortilla never saw the light, since I was so busy at the end controlling everything and opening the door. So, next month more and better!

OSMOSIS

Antoine Renard ("Growing Faith")
 
Antoine Renard ("Growing Faith")
 
Antoine Renard ("Growing Faith")
 
Antoine Renard ("Growing Faith")
 
Antoine Renard ("Growing Faith")
 
James Howard
 
James Howard
 
 James Howard
 
James Howard
 
James Howard
 
Ralo Mayer
 
Joe Hamilton

Joe Hamilton
 
Joe Hamilton
 
Joe Hamilton
 
Ralo Mayer
 
Ralo Mayer
 
Ralo Mayer
 
Ralo Mayer