MULTIVERSAL
presents OUT OF ORDER as part of Vorspiel 2015 by Transmediale and
CTM, from 14th-17th of January at Neu West Berlin, Altes Finanzamt
and Ex -Stasi building: workshops, concerts, performances,
exhibitions, installations.
Description:
What
is the limit and what is the error?
What
is the connection between them in our space, relationships, movement
and life?
Going over the limit can be a recognition of the error?
Going over the limit can be a recognition of the error?
The
huge technological development that is shaping our society forces us
to a constant confrontation with the error: a wrong web page, an
annoying sound or an unintelligible image. When we face this
situations we start to question the system itself and understand the
complexity of the world we live in.
On
an acoustic level the noise is more and more present in our everyday
life, it is something that is becoming familiar to everyone of us.
This is true also for other level of perception, both visually and
sensorial.
Our
event “Out of Order” wants to focus on a better understanding of
the limit that brings us to the understanding the meaning of error
and its awareness through music, painting and visually.
There
will be 2 workshops on two days, both for beginners and advanced
level practitioners.
WORKSHOP
1 :
Oliver
Orthuber
The
aim of this workshop is to provide tools and techniques that are used
to create a connection to the Auditory on a visual level. The Main
focus is the practical performance. The participants should find out
by themselves what techniques and tools are best for them to connect
with the live musicians by experimenting.
- painting/drawing interaction with live musicians
- automatic drawing
- action painting
- all-over-painting
- drip painting
- generate with painting/drawing noises and interact with live musicians
- drawing on a wall which is connected to contact mics
Wednesday,
14th
2
pm - 5 pm
Thursday,
15th
2
pm - 5 pm
WORKSHOP
2 :
Liz
Crossley/Marie Donath
Drawing
with all of yourself and with others.
Three hours experimenting with drawing as a total experience.
Using brain, ears, eyes, hands, the whole body.
Perception of line and movement. Feeling the line within you. Working „blind“.
Line as movement from within to the outside, leaving a visible spoor if there is a mark-maker* in your hand, or mouth or foot or on your head. „Line dancing.“
In this workshop, having live musicians there leads to focus on the input through the ears and vibrations in the body.
We'll use different instruments and see what variety of expressions the play between you, the musician, the instrument or mark-maker* and the surface create.
*leads, pens, crayons, pastels, brushes, fingers, hands & inks
When we have warmed up we will try out what we have experienced on overhead projectors, individually and then with overlays as a group performance.
+
With a selection of acoustic objects and material for analogue projections
We will try to develop a language between sound and vision.
Through getting to know our individual way to express sound in image and vice versa we can develop a way for communication between us.
Based on action and reaction we can play with the impulses we give each other.
Rules or not - it's up to you/us.
Three hours experimenting with drawing as a total experience.
Using brain, ears, eyes, hands, the whole body.
Perception of line and movement. Feeling the line within you. Working „blind“.
Line as movement from within to the outside, leaving a visible spoor if there is a mark-maker* in your hand, or mouth or foot or on your head. „Line dancing.“
In this workshop, having live musicians there leads to focus on the input through the ears and vibrations in the body.
We'll use different instruments and see what variety of expressions the play between you, the musician, the instrument or mark-maker* and the surface create.
*leads, pens, crayons, pastels, brushes, fingers, hands & inks
When we have warmed up we will try out what we have experienced on overhead projectors, individually and then with overlays as a group performance.
+
With a selection of acoustic objects and material for analogue projections
We will try to develop a language between sound and vision.
Through getting to know our individual way to express sound in image and vice versa we can develop a way for communication between us.
Based on action and reaction we can play with the impulses we give each other.
Rules or not - it's up to you/us.
Wednesday,
14th
10
am - 1 pm
Thursday,
15th
10
am - 1 pm
Registration
required / 1 day 45€ / 2 days 80 €
subscribe
multimultiversal@gmail.com subject:workshops deadline for
subscription: 12.01.2015
ALTES
FINANZAMT : Schönstedtstraße 7 - EG Neukölln 12043 Berlin U7
Rathaus Neukölln (Exit Schönstedtstraße)
www.multiversal.eu
multimultiversal@gmail.com
Oliver
Orthuber
1970
born in Simbach am Inn; lives and works in
Berlin
EXHIBITIONS
AND PROJECTS
17.10.2014
Als ich ein Punkrocker war, Kühlspot Berlin (Solo Show)
04.09.2014
- 30.11.2014 Kunstvisite, Charité Campus Benjamin Franklin, Berlin
27.09.2014
Meetartmorphosis, Continuous Drawing Performance, Berlin
(Performance)
20.08.2014
- 23.08.2014 Am Eye The Picture, Art-Sound Festival, Berlin
(Solo-Show)
10.07.2014
- 27.07.2014 EinWandZeichnen, Schöneweider Art Festival, Berlin
13.06.2014
- 06.07.2014 Make Money/Macht Geld, Schalterraum, Berlin
01.06.2014
- 06.06.2014 The Body Electric, Semi-Final Round, saatchiart.com
31.05.2014
- 08.06.2014 Wettbewerbsausstellung in der Kunstschranne, Weißenburg
13.03.2014
- 22.03.2014 Pimmel Mann, JBK107, Doha (+Zekreet Desert, Doha)
(Solo-Show)
12.10.2013
- 01.02.2014 Die Perfektheit und das Fehler, G.A.S.-Station, Berlin
21.09.2013
- 22.09.2013 Partizipia 2013, d-52.raum für zeitgenössische kunst,
Düsseldorf
03.09.2013
- 30.11.2013 Kunstvisite, Charité Campus Benjamin Franklin, Berlin
11.11.2012
– 02.12.2012 Losito Kunstpreis„Grosses Waisenhaus zu Potsdam“,
Potsdam
27.04.2012
- 02.05.2012 BAGL Springtime 2012, Berlin
16.08.2011
- 01.10.2011 Streetmuseum Momaca Borken
Liz
Crossley
1949
born in Kimberley, South Africa
Master
of Fine Art, Rhodes University, Grahamstown, South Africa; from 2002
is Member of the board for Art in Public Spaces in Berlin.
EXHIBITIONS
AND PROJECTS
2011
Lernen - Kennen, Galerie Alte Schule, Berlin, GE
2010
A Country Imagined, Cap San Diego, Hamburg, GE
2009
Catalogue publication of UMBRA SUMUS and Green strip
booklet
2008
UMBRA SUMUS - Shadows we are - Here we are!,
artSPACE berlin, SE
2005
The Past is not Dead!, Rosa Luxemburg foundation, South Africa
2004
This Was A City, William Humphries Art Gallery, Kimberley , SE
2003
Culture of Peace (conference), Akademie der Künste, Berlin,
SE
This
Was a City, Peter Herrmann Galerie,
Berlin, SE
2002
Berlin Conference, Peter Herrmann Galerie, Berlin, GE
2000
Heimat Kunst, Land=histories and Afri-Cult 2000, House
of World
Licht-Fluß-Köpenick,
StadtKunstProjekte, 4. Mai Salon Köpenick, Berlin, projection with
Land=hiSTORIES,
Bundesumweltamt, and Karl Hofer Galerie, Berlin, SE
1999
See with Blinding Sight, Kulturhaus Erfurt, light projection
on St Paul 's Tower, GE
1997
Washline – Dreamline , 1. Mai Salon Köpenick, Berlin,
projection, action, GE
A
Field for Nonquawuse, Gallery in the
Scheunenviertel, Berlin, SE
1996
Kunsthalle, Bielefeld, installation on Irma Stern GE
Looking
back – Looking Forward, Association of Visual Arts Gallery
(Cape Town) and Mc Gregor Museum (Kimberley), and
Friedrich-Ebert-Stiftung (Bonn), SE
1995
AN OTHER, Women Art Historians Conference, Trier, projection,
text by Dr. Below
Work
commissioned by the Künstlersozialförderung, Berlin
1993
Leiter, Berliner Zeitung Gallery, SE
1992
Light and Shadow, German Opera, Berlin, projection for the
premiere of Cruel Garden
1989
Women-Culture-Culture-Women, Academy of Arts, Berlin (West),
projection with Roswitha Baumeister, GE
Ursa
Major, „Berlinerinnenstadt“, Rathaus Schöneberg, with R.
Baumeister, GE
1978-1981
Pigeon Wings, publication (Curwen Press), book exhibitions in
Chicago, Frankfurt, London, GE
1973
Association of Arts, Cape Town, SE